i write plays for friends and strangers.
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Excited to see my dog-eat-dog comedy WESTMINSTER living its best Midwestern life.
In January ALISON RUTH directed an incredible reading for the BOLD New Works Series at Minneapolis's JUNGLE THEATER.
Next stop is beautiful downtown Cedar Rapids where it's been named the winner of Coe College's biennial
Playwriting contest. I'll be in residence there for a workshop and Festival read on March 24; (free) tickets here.
In January ALISON RUTH directed an incredible reading for the BOLD New Works Series at Minneapolis's JUNGLE THEATER.
Next stop is beautiful downtown Cedar Rapids where it's been named the winner of Coe College's biennial
Playwriting contest. I'll be in residence there for a workshop and Festival read on March 24; (free) tickets here.
After presenting a rousing, in-the-round rendition of THE DING DONGS at Ithaca's KITCHEN THEATRE COMPANY
last winter, REBECCA BRADSHAW revisits my favorite fever dream in her first season as AD of GLOUCESTER STAGE.
Catch this surreal treat seaside from Aug 11 - 27.
last winter, REBECCA BRADSHAW revisits my favorite fever dream in her first season as AD of GLOUCESTER STAGE.
Catch this surreal treat seaside from Aug 11 - 27.
HUDSON STAGE COMPANY's wholehearted production of OFF PEAK enjoyed a beautiful run at 59e59 last fall.
JESS CHAYES directed supercouple NANCE WILLIAMSON and KURT RHOADS
in this two-hander about forgiving, forgetting, and the healing power of the Hudson Line.
The NEW YORKER used a lot of nice adjectives about us here and KENNETH JONES put together this generous piece.
This little-play-that-could will be published and available for licensing by TRW Plays; drop me a line and I'll put you in touch.
JESS CHAYES directed supercouple NANCE WILLIAMSON and KURT RHOADS
in this two-hander about forgiving, forgetting, and the healing power of the Hudson Line.
The NEW YORKER used a lot of nice adjectives about us here and KENNETH JONES put together this generous piece.
This little-play-that-could will be published and available for licensing by TRW Plays; drop me a line and I'll put you in touch.
So excited to join this year's BMI Musical Theatre Workshop as a lyricist.
Lucky to be spending
Lots & lots of time
Working on the ending
of a perfect rhythm-- shoot.
Lucky to be spending
Lots & lots of time
Working on the ending
of a perfect rhythm-- shoot.
My play DINDIN premiered with the home team, the HARBOR STAGE COMPANY.
The Boston Globe labeled us a critic's pick, local journalists called the production "electric" and "masterly",
and we got to smash a lot of plates and glasses. In our spare time, we also turned the script into a feature film,
so if you missed it, you can catch it soon at a (movie) theater near you.
The Boston Globe labeled us a critic's pick, local journalists called the production "electric" and "masterly",
and we got to smash a lot of plates and glasses. In our spare time, we also turned the script into a feature film,
so if you missed it, you can catch it soon at a (movie) theater near you.
So happy to have linked up with the dangerously talented KATE CORTESI, EMILY ZEMBA, and victor cervantes jr.
for the THE POOL, a pop-up theater company. Our plays, including my "wonderfully destabilizing" THE DING DONGS,
ran in rep at NYC's beloved New Ohio. It was a real party.
for the THE POOL, a pop-up theater company. Our plays, including my "wonderfully destabilizing" THE DING DONGS,
ran in rep at NYC's beloved New Ohio. It was a real party.
Grateful to have been commissioned by the HUNTINGTON THEATRE COMPANY to create a short audio play
for their uplifting Dream Boston series. My micro-play McKIM eavesdrops on a minor dustup
between bookworms at the BPL; it's available here for your listening pleasure.
for their uplifting Dream Boston series. My micro-play McKIM eavesdrops on a minor dustup
between bookworms at the BPL; it's available here for your listening pleasure.
